Intensive care for arts and culture?
In July 2008 I booked a ticket to San Francisco. I was double bass player for Gail Kingston’s Hot Foot Jazz and we were making plans to appear at the Sacramento Jazz Jubilee in May 2009.
This was a big deal for us. The band was in peak form; we’d just completed a new CD “Can You Tame Wild Wimmen” and Gail was hot favourite as we toured to jazz festivals across south-eastern Australia.
Exposure in the US would be a breakthrough; we’d tighten up our stagecraft and have a chance to mix it with some of the best traditional jazz musicians from around the world.